In December of last year I hastily decided that in 2010 I would attempt to attend at least 1 concert every month. Why? I could wax philosophical about music being a performance art but, truth is, I just like music. Was it perhaps a bit fiscially irresponsible? Arguable, but I had fun doing it. So who did I see in the great year of 2010?
January 3t, 2010 / Trocadero Theatre / Philadelphia, PA:
Scale the Summit, Cynic, Devin Townsend and Between the Buried and Me.
This was an excellent show to start the year with the main act, Between the Buried and Me putting on such a solid, energetic performance that it was a show I was constatnly comparing later acts with. With frequently indecipherable screaming of Between the Buried and Me can be off-putting to many (re: most) it takes nothing away from the phenomenal talent of the band members and drummer Blake Richardson is perhaps one of the best up and coming metal drummers (there was a supposed Mike Portnoy sighting at this show if that says anything). In the progressive metal scene acts can vary widely in style and tones and in this show in particular was split 50/50 with both Scale the Summit and Cynic tends towards a more mellow style while Townsend and Between the Buried and Me tends towards a more aggressive style. I only mention this because because the show was arranged as follows: Scale the Summit, Devin Townsend, Cynic, Between the Buried and Me. Now Townsend frickin’ killed, he had the audience absolutely pumped and more-or-less bouncing off the walls (and each other ‘natch) when Cynic took the stage. The unleashed agression of the audience was a bit of a tough nut for Cynic to crack and I don’t think they ever managed to win the crowd over completely, something that was not at all aided by their mid-set pause to have us do “metal yoga.” It was a weird way to arrange the acts, one that I don’t think benefited the talents dudes in Cynic at all. Between the Buried and Me absolutely destroyed their set. In fact the mosh pit grew so large in the admittedly small Trocadero that me and my friend found ourselves wedged uncomfortably against the sound booth with a protective wall of Event Staff between us and the pit. It was a damned awesome show.
February 20, 2010/ Brighton Bar /Long Branch, NJ
East of the Wall EP Release Show w/ Rosetta, Fake Gimms, A Fucking Elephant, Restorations
With the February 26 Flogging Molly show sold out I was saved from breaking my New Years quest early when my friend Matt of A Fucking Elephant let me know that East of the Wall was playing an EP release show. I ventured out into the frigid cold on the promise of good times with friends and a trip to Long Branch’s own Jr’s; all of which I got in spades. As typical for shows at the Brighton Bar things ran late so I unfortunately missed most of East of the Wall’s set but I was impressed with the energy, enthusiasm and talent of the Fake Gimms (now Zombie Club America). I’ll be honest I do love bar shows, I don’t know why but there is something kind of special about loud music, beer, and good friends. Maybe it’s the beer. Just kidding…kind of.
March 26 & 27, 2010/Hynes Convention Center/Boston, MA
PAX East 2010 Concerts: Metroid Metal, The Protomen, Anamanguchi, Video Game Orchestra, Paul and Storm, Jonathan Coulton, and MC Frontalot.
This was a pretty epic weekend and both Friday the 26th and Saturday the 27th were amazing nights. Sure we were all exhausted from a full day of convetioning and not all of us would make it through the evening on our feet but there is a special kind of magic specific to PAX that is difficult to describe. Some of the pre-show waits were long but they were never short of fun; I never thought the wave could elicit such simple childlike joy, but apparently it can.
While all the acts on these two nights were top notch I was particularly impressed by The Protomen and Video Game Orchestra. The Protomen take the bare story of Mega Man and add a bit of rock opera flare. Which is both ridiculous and awesome. Though it might lack the budget of of similar mainstream acts it has twice as much heart. Video Game Orchestra was present with their chamber group and creative director/arranger Shota Nakama quickly won over the audience with humor and charm. This is a phenomenally talented group of musician who are professional and well homed as any symphony orchestra. I desperately hope that one day I’ll a chance to see them again live (note: they are still working on their CD).
Jonathan Coulton’s set was particularly notable since it birthed Coultron, the gestalt of JoCo himself and members of Metroid Metal lend a bigger, fuller sound to JoCo’s tunes. This combination was sucessful enough that JoCo has been working on an album with a full band and, if his set in March is anything to go by then it is most definitely something to look forward to.
April 7, 2010/Terminal 5/New York, New York
When I talk about music, and any band or artist in particular it is best that you add a silent “They’re not Opeth but…” before any praise. I’ve only seen Opeth once before, at the Starland Ballroom in Sayreville, NJ; but when I heard they were doing a limited engagement tour to celebrate their 20th Anniversary I was damned exiceted. The Evolution XX tour was only six shows and I jumped at the chance to grab tickets. The band played the entirety of Blackwater Park during their first set then came out and played one song of each of their other albums in chronological order; with historical notes and introductions by front man Mikael Akerfeldt. Opeth are a live act that are as impeccably precise and spot on as they are on their studio recordings. I, quite frankly, love this band and this was an absolutely amazing show. If you’re at all interested in the Black Metal scene, and are coming from more mainstream corners, I could think of few better places to start.
April 20, 2010/Starland Ballroom/Sayreville, NJ
River City Extension/Big D and the Kids Table/Flogging Molly
A rescheduled show due to snow earlier in the year meant I was able to grab tickets to see Flogging Molly; a band I’ve been waiting to see live ever since I first listened to Drunken Lullabies . This is actually they only concert I remember actually posting about so for my thoughts on this show see here.
May 3, 2010/Championships Bar/Trenton, NJ
When I struggled to find shows it always helped to turn to people I know. If you had told High School Me that Justin Greczyn, AKA Swashbuckle’s Commodore Nosebleed, was going to be the lead guitarist in pirate themed thrash metal band (signed to a major metal label no less!) I would have glanced at the somewhat scrawny red-headed kid across the lunch table (maybe playing Magic: the Gathering) and scoffed. Of course the idea that there would even be a pirate metal sub-genre would just have likely have baffled my fragile young mind. As always the “gentlemen” of Swashbuckle put on a furious, energetic, and typically lyrically indecipherable show that still managed to win over the audience at Championships. Championships is a tiny little dive bar in Trenton that books local, and some not-so-local metal acts, its a neat little place with cheap beer and loud music…really really loud music. The gentlemen (and lady) of Blackguard power a little more from the power metal side of things than Swashbuckle does and they have practiced the art of synchronized hair swinging to near perfection.
While the intersection of pirate lovers and thrash metal fans isn’t necessarily a large one it is nice to know that they are a number of bands catering to that group.
June = NOTHING
It was June where my year long quest failed. No specific reason I can remember. The only two concerts I was interested in being Scorpions at the PNC Bank Center and Entombed at the Grammercy Theatre. I made it to neither. However, things picked up again in July. Stayed tuned next week when I catalog the remainder of 2010!